Q: What initially inspired you to pursue a career in photography?

A: It was actually a combination of chance, opportunity and luck of course! I was being made redundant and decided that it was time to rekindle a long lost hobby. Almost out of funds I took a call on the road and snagged a gig taking shots of property (Don’t hold that against me).

Q: Can you describe a pivotal moment in your journey that reaffirmed your passion for photography?

A: I’m not sure there has been one single moment, more the entire journey that continues to surprise and amaze me.

Q: How has your style evolved since you first started?

A: If you look at my overall body of work, I would say that its light and bright, although I love to experiment and will always look to the best outcome for my clients’ purpose.

Q: What themes or subjects do you find yourself drawn to the most in your work?

A: Great question. I love people and when I have the opportunity to capture them as they are, the results are lovely. I love architecture and things of good design. Anything that matters.

Q: How do you define your purpose as a photographer?

A: Mmm. Over time I’ve become really good at what I do. A combination of years of work and practice that continues on every assignment. Also a mystery that helps me create. Ancestors … the universe … who knows, but I’m grateful for the help.

Q: Can you share a project that has significantly contributed to your growth as an artist?

A: I think my work in architecture overall has helped me grow, both personally and professionally. Put me on the map so to speak. Those massive UTAS buildings in Launceston have been a gift. I feel like a rock star.

Q: In what ways do you think your surroundings in Tasmania influence your photography?

A: Tassie is home, both physically and in the heart. I like to step back from the business to recharge when I can and the access to nature has a real calming and meditative effect which I feel helps keep my photography authentic.

Q: What challenges have you faced in your photography journey, and how have they shaped you?

A: Best question, although not enough room to answer here! I think the answer to challenges are to front them, seek help any way I can and keep finding the best way to do whatever it is I am working on. All the hurdles I’ve overcome have made me a better photographer, a problem solver and a collaborator. The thing is that no one can do it alone. There are so many people that make up the links to my chain and I thank them all.

Q: How do you connect with your subjects to capture their authentic essence?

A: Over the course of my life I’ve met so many champions who have delightfully and often unknowingly humbled me. This humility is a gift to me and keeps connections real. We all have our strengths and weaknesses and when we equalise, authenticity comes to the fore.

Q: What message or emotion do you hope to convey through your photographs?

A: Interesting timing. I have just enjoyed the best compliment of my career. My work was at the end of a major team effort to create authentic imagery for a complete brand refresh. The clients were ecstatic at the result, but one of the team was in tears. It was very powerful and humbling, but deep down I was so happy to be recognised in this way. Don’t get too excited, it was the first time I’ve seen this in person.

Q: Who are your biggest influences in the world of photography, and how have they impacted your work?

A: Robert Doisneau. A french master. My first influence. You’ll need to check out his work (and humour). Along the way I’ve enjoyed Tim Tadder (he’s out there), Erik Almas (his whimsy), Joe McNally (love your kind words) and Dan Donovan (thanks for the tips).

Q: How do you stay motivated and inspired in a competitive industry?

A: Tough question. I find it difficult. There is a lot of rejection and many people just fail to see the value of what professional imagery can do for them. I savour the wins however they come. I work very hard to be the best I can and appreciate beyond words the gift it is to earn a living from doing what I love. I’ve endured a lot of crappy jobs over my life and so I have to pinch myself that I take photographs to put food on the table. “Beats breaking rocks”. (Yes I’ve done that).

Q: What advice would you give to aspiring photographers starting their own journey?

A: If you are talking photography in general, buy some cheap second hand gear, seek advice from someone who knows, then get out and shoot everything and anything. Be your harshest critic and don’t take yourself too seriously. If you are looking for work in the commercial space, then my journey involved a tonne of life experience … I’m still looking to be an overnight success! It’s a difficult path and that is why there are few left standing. It takes dedication, perseverance and a thick skin.

Q: How do you see your photography evolving in the next few years?

A: I really love and am good at what I do, so I hope to be working till I drop. For many years, the weakest link in my workflow was the software (post production), but it is now really good. Amazing really. I have to keep learning everyday. I’d just like to continue doing what I do so well and keep finessing all aspects of what I create. There is always something I can do better.

Q: What legacy do you hope to leave through your work in photography?

A: I ponder this question from time to time. I hope that as a society people appreciate the overall profession of photography and embrace the significance. I wish there was more young people reaching out to learn rather than reinventing the wheel. I hope people see that perseverance and commitment are values to embrace. I hope that people will realise that even an old dyslexic barrow boy can become something unexpected in his life. Thanks to all those who have helped an continue to help me thought this life X.